Happy Halloween 2011

Well today is October 31st, and we all know what that means! It's Halloween! I know this holiday has many meanings, but to me it is a time to see fun costumes and watch scary movies. The spiritual side and what not doesn't interest me one bit.

So along with Betty Grable, Judy Garland, and Joan Crawford... Blame Mame wishes everyone a Happy Halloween!

Judy is frightened by the witches brew!

Joan loves the festivities!

Betty is surprised by the scary stories!

Y'all have a Gingery Halloween!!!

...well, not too many pics out there of Ginger in Halloween costumes... so, I'll give ya a little 'rabid squirrel impression' action from our fair lady... that little sequence ALWAYS cracks me up...
In other Ginger news, Thanks to Whitney VLH for her report from the Ginger Rogers Century exhibition in Boston!  She posted a comment on the 'just a few pics' post from a few weeks back... for those who missed it, here is the report:

"I was blessed to be able to attend the opening of the "Ginger Rogers Century" archive and the show in Boston on Oct. 24th. and wanted to tell you all about it:
The archive is chock-full of moving correspondence between Ginger and the many people who loved her, including her mother and her friends such as Lucille Ball and Jimmy Stewart. It also features lots of photographs, renderings of her artwork, and items like her Oscar, her Kennedy Center Honor medallion and ribbon (which I'm grateful I got to see her receive in 1992), and even one of her old tennis rackets! Roberta Olden, Ginger's longtime assistant, selected items with much loving care for Boston University to display.
Angela Lansbury spoke poignantly about how Ginger and Lew Ayres (a neighbor of hers in Brentwood for many years) had a great love for each other that endured in friendship despite the tragedy of their marriage ending. I SO wish that those two had gotten back together!!! The archive included a letter and telegram from Lew to Ginger, and reading those, it was evident how much he loved her. I think he was a great man, just as Ginger was a great lady, despite the mistakes they made -- and in the end, love still prevailed.
It was awesome to hear a song that Ginger composed herself in 1936 (the year they separated) in the show. The song was called "I Don't Understand" (a love song, that was probably referring to Lew). Jazz singer Karen Oberlin did a pitch-perfect job of performing the many songs that Ginger made famous from composers like Irving Berlin, George Gershwin, and Jerome Kern.
The archive will stay on display for several months at Boston U., I was told, so if any of you are in Boston, hope you can check it out!"

Awesome stuff, Whitney! Would have LOVED to hear the Ginger tune... ya didn't happen to sneak in a recorder of some type, eh? :-)
It's also good to hear Ginger and Lew remained buds... y'know, if I were somehow able to do the 'back in time' stuff, and be able to be anyone (yeah, that's pretty weird and far-fetched, but hey...), I think it would be Lew... I mean, DANG...Ginger called him her 'dream man'... how insane is THAT?
...AND, it's cool to know that the exhibit will be there for awhile... just wish it would get a LITTLE closer to 'South Gingerville', such as Atlanta, Nashville, etc... here's hoping!
ALSO, a few awesome Gingery features from fellow Gingerologist, arrowfoxi!!!
First, a photo of Ginger from photographer James Doolittle, who captured Ginger (during her 'In Person' days - the gown is the one she has in the final scene) quite well, to the extent that she said it was one of her favorite photos of herself from anyone... no arguement from this here Gingerologist...
...the original photo sold in 2002 for 2,445 euros, which is roughly, oh...about $1,000,000 U.S. dollars (jk...for the time being, anyway... seriously, it's about $3,500.00). If only I could score a lottery, y'all...it would be scary how much Gingerbilia would accumulate in the Huey domicile...
AND, here is a link to a VERY neat site, which generally is a compilation of MANY quotes and passages from books and reviews regarding Ginger... I've thought about doing something like this, but...well, heck, here it ALREADY is!

Ginger Rogers Appreciations

...this site is overseen by arrowfoxi (a.k.a. todflet@sonic.net ) - and, notice that any new-found Gingery text is of great interest, so drop an e-mail over there if ya have any new stuff! 
Well, next up here is the 'Don't Bet on Love' review... Thanks to Ron for a cool 'lobby card' shot of this film:
Whitney's conclusion of Ayres may 'temper' my review a bit... but he's still (somewhat) of a gooberhead, y'all...I mean, come ON...'Dream Man'... how do you screw THAT up, y'all?



Photos | Stars With Their Cameras

Before I continue with the post, I just wanted to point out that the side bar looks a little different [points to the right]. I have added some things, changed some things, and even removed some things. I would like to give a shout out to the three blogs featured on the side bar for their upcoming Blogathons [For The Boys - Hosted by The Scarlett Olive, Dueling Divas - Hosted by Backlots, Humphrey Bogart - Hosted by Forever Classics]. I love Blogathons!

So in my real life I work in a camera shop as a photographer and sales person, so it goes without saying that I love photography. I grew up with disposable film cameras and never had the chance to enjoy the experience of a manual film camera. I've recently acquired a few and I love them. I was excited to find pictures of some of my favorite Classic Hollywood stars using these great cameras... and even a few using old movie film cameras. Two of my favorite things, cameras and Classic Hollywood... sounds like a fun post!


Joan Crawford

Norma Shearer

Cary Grant

Bette Davis

Elizabeth Taylor

James Cagney

Tony Curtis

Marilyn Monroe

James Dean


Ginger Rogers

James Stewart

James Dean

Joan Crawford

Film | Holiday (1938)

A few weeks ago I sat down for what I called a "Grantburn" double-feature. I have already written about the first film, Bringing Up Baby (which you can see here), and here we have the second... 1938's Holiday. And guess what?!? This is the 75th post on Blame Mame!

HOLIDAY (1938)

"If you had a million... 
which sister would you pick to spend it with?"

Cary Grant as Johnny Case
Katharine Hepburn as Linda Seton
Doris Nolan as Julia Seton
Lew Ayres as Ned Seton

Engaged to wealthy Julia Seton (Doris Nolan), freethinker Johnny Case (Cary Grant) discovers that her family wants to remake him into their idea of the perfect son-in-law -- and he's beginning to consider compromising his values. But as he gets to know Julia's headstrong sister (Katharine Hepburn), he realizes he has more in common with her. [Netflix]

I thought the scene where Johnny first comes into the 'play room' to chat with Linda, was quite charming. The sparks between the lead characters jumped off the screen. I especially liked when Linda was explaining which toys belonged to which sibling and talks about how the giraffe looked like her... I actually thought they did resemble each other.


Although Katharine Hepburn won praise for her portrayal as the repressed rich girl, she was overlooked more than once for the role of Linda Seton. When the play appeared on Broadway, Hepburn was the understudy for the role and when the original 1930 film was cast, she was overlooked in favor of Ann Harding. I also found it interesting that Katharine also used a scene from this film for her first screen test that won, that led to her first film role in A Bill of Divorcement. It seems she was destined to play this part at some point in her career.

I thought the film was beautifully directed, as most George Cukor films are. I have never noticed how many of my favorite films were part of his long list of directed films. He really was a 'woman's director'. He brought out amazing performances from all of the women he worked with. I look forward to seeing his other collaborations with Hepburn (A Bill of Divorcement, Sylvia Scarlett, Adams Rib) because she was so likeable in this film. She was the actress I loved in The Philadelphia Story and not the grating women I saw in Suddenly, Last Summer. I will definitely be checking out those other films soon.

And I just couldn't do a review of a Cary Grant film without commenting on how wonderful an actor I think he was. He was so likeable and even though he was playing against type, he portrayed Johnny with a lot of heart.

There was also a magnificent supporting cast on this film. You had Edward Horton and Jean Dixon as The Potters, Johnny's long time friends who want him to go after his dreams and not the dreams of his fiance. I really felt their characters truly loved Johnny and wanted only the best for him. Their reactions when first walking into the engagement party were the best... especially when the butler took his dress shoe off along with the snow boot. 


Film | 10 Things To Learn From How To Marry A Millionaire

The other night I sat down to watch 1948's The Red Shoes [I now know it is on Instant Play] only to find Netflix sent me another damaged disc. I sat there for a few minutes starring in disbelief and then decided to watch another film. Oddly, the first film to come to mind was 1953's How To Marry a Millionaire starring Betty Grable, Marilyn Monroe and Lauren Bacall. Maybe not that odd, but a random thought because I hadn't seen it in quite a few years.

After watching the film over two days, I decided to not do one of my typical film reviews. I recently seen reviews for this film on other blogs, so what could I say that hasn't been said recently. And so here we have my post for this film... 10 Things To Learn From How To Marry A Millionaire. A few months ago, I did a similar post for Gentlemen Prefer Blondes that you can see here. It truly is pure coincidence that they are both pictures starring Monroe.

If you have seen this film before, you may have caught up on these clever ladies' ideas on 'how to marry a millionaire.' If you haven't seen the film and want a few pointers on capturing your own 'bear' and other thoughts on life from Loco, Pola, and Schatze... keep reading.

► Most women use more brains picking a horse in the third at Belmont than they do picking a husband.

► Gentlemen callers have got to wear a necktie!

► There is no such person as Mr Cadillac

► Gentlemen you meet on the cold cuts may not be as attractive as the one you meet in the mink department at Bergdorf's.

► When ordering things not under $5 a portion, ask the waiter to bring the leftovers home 'for the dog.'

► You are likely NOT to marry a millionaire in a walk-up on Amsterdamn Avenue.

► Nobody's mother lives in Atlantic City on Saturday.

► Men aren't attentive to girls who wear glasses.

► Wealthy men are never old.

► If you don't marry him, you haven't caught him, he's caught you.

Bonus Lesson
► The word 'creamy' can be used to describe things that are pleasant. [ie. 'I saw a picture in Harper's Bazaar of a mountain shack. It was creamy.']

There it is... if you follow these rules you will be as likely as the films leading ladies at finding yourself a millionaire. This picture is so fun to watch. You get beautiful Travilla gowns, gorgeous Technicolor, and breathtaking Cinemascope [this was the first film made using this filming process]. Another thing to remember while watching this film is that it was one of the great Betty Grable's last films. She retired from motion pictures shortly after.

Photos | On Set: All About Eve

Here is another edition of the 'on set' photo series. This time it comes from the set of the 1950 picture All About Eve. I must say it, it is quite a photo...

In one photo, you get some of Hollywood greatest actors: Bette Davis, Anne Baxter, Marilyn Monroe, Celeste Holm, George Sanders, and Gery Merrill. I never noticed that Monroe is the only one not wearing a dark color. I wonder if that was done on purpose? Maybe to make her stand out in this very small early role?

Something I have always thought about is how different this film would have been without Bette Davis. She was not the first choice to play the role of Margot Channing.  Greats such as Tallulah Bankhead, Susan Hayward, Marlene Dietrich were early considerations for the role. Claudette Colbert was actually cast in the role, but had to pull out after a back injury on another film. In my mind, All About Eve is actually 'all about Bette Davis'.

Film | Bringing Up Baby (1938)

On one of my many trips to Barnes and Noble, I picked up two Grant/Hepburn films, Holiday and this film... 1938's Bringing Up Baby. Shortly after that I had a perfect time to watch them... a lazy Sunday with all the windows open to let the cool breeze in, and nothing else to do. I sat down for my 'Grantburn' double-feature and never enjoyed two films more!

"There's a leopard on your roof and it's my leopard and I have to get it and to get it I have to sing."-- Susan Vance [Katharine Hepburn]

Katharine Hepburn as Susan Vance
Cary Grant as Dr. David Huxley (alias Mr. Bone)

Love runs wild for a hapless scientist and an unstoppable heiress in Howard Hawks's classic screwball comedy that ranks high on the American Film Institute's list of the funniest Hollywood films ever made. With her eye on paleontologist David (Cary Grant), heiress Susan (Katharine Hepburn) lures him to her home. But the hilarity begins when Susan's dog steals David's prize dinosaur bone and her pet leopard, Baby, is mistaken for a zoo escapee. [Netflix]

Though this entire movie was hilarious, there were a few scenes where I found myself literally laughing out loud. The scene where Susan is talking to David on the phone trying to persuade him to come help her with her newly acquired leopard was quite funny. Being the graceful walker that she is, Susan trips over a table causing quite a ruckus. David thinks she is being attacked by the leopard (with a little help from Susan's fibbing) and rushes to help her... also tripping in his house.

The other part of the film I still laugh about when I think about it is when Susan and David are in search for the missing leopard. They come to a stream and David asks Susan if the stream is shallow enough to walk through. She insists it is so shallow that they can wade across. So the two set across only to find the water is deeper than they are tall. So funny to watch them fall straight down into the water. Haha!

And we can't forget about the dinner scene where Grant and Hepburn find them selves 'exposed' to everyone in the dining room. Susan grabs for David's jacket, ripping it down the back. After a pretty severe talking to by David for ruining his night, Susan goes to walk away. The only problem is that David was standing on her gown and as she walks away... she leaves without the back of her dress. The funny part comes when David is trying to convince Susan something is wrong, but she doesn't believe him. And when she does realize all of her assets are on display, it gets even better!

Bringing Up Baby did so poorly at the box-office that Howard Hawks was fired from his next RKO production and Katharine Hepburn was bought out of her contract and was soon after labeled 'box-office poison.' I simply do not understand how this film did so badly, it is one of the funniest films I have ever seen. Luckily it has grown into more favorable views since it was released in 1938. The American Film Institute even added this film to its list of the 100 Greatest American Films of All Time.

I thought Katharine Hepburn was hysterical in this picture, I was surprised to find out she came into this role with no comedic background. She was trained by Howard Hawks on her timing and gags. While Hepburn needed training, Cary Grant [whose character was modeled after silent film star Harold Lloyd] came well equipped with his own comedic talents.

Baby the leopard wasn't the only animal to cause chaos for David and Susan. Cary Grant's previous co-star in The Awful Truth, Skippy the dog, had his own paw in on the madness. After he steals David'd priceless fossil, the search for where he buried the bone leads to a few laughs. Skippy also starred in The Thin Man as Asta.

Watching this film only furthered my love for Cary Grant. Every single film I have seen him in has never let me down. He can be funny (VERY funny) or dramatic... and still make you want to see more. His personality demands your attention and his comedic timing is perfect.

Until seeing this film, I never thought much of Katharine Hepburn, but her performance in this film won me over. I am pretty sure I will enjoy more of her early films over her later ones. She was charming and funny. I was glad I had just bought Holiday on DVD as well because I wanted to see more of her.


Ginger Rogers Film Review #16 - A Shriek in the Night

(July 22, 1933 - Allied Pictures Corporation)
Run Time (approximate): 66 Minutes 
Directed by: Albert Ray. 
Producer: M. H. Hoffman. 
Scenarist: Frances Hyland.
Based on a Story by: Kurt Kempler.
Photography by: Harry Newman and Tom Galligan.
Art Director: Gene Hornbistel.
Edited by: Leete Renick Brown. 
Sound Recorder: Homer C. Ellmaker.
Music Supervisor: Abe Meyer.
Costume Design: Alfreda.
Production Management: Sidney Algier. 
Assistant Director: Wilbur McGaugh. 
Also Starring: Lyle Talbot (as Ted Rand), Harvey Clark (as Peterson, the Janitor), Purnell Pratt (as Police Inspector Russell), Lillian Harmer (as Augusta, the Housekeeper), Arthur Hoyt (as Wilfred), Louise Beavers (as Maid), Clarence Wilson (as Editor Perkins).
UNCREDITED CAST: Maurice Black (as Josephus Martini), Jim Farley (as Detective Jim Brown), Cyril Ring (as Eddie the Morgue Attendant), Dick Rush (as Policeman in Hallway), and Tiny Sandford (as Detective Eddie).
Ginger's Character: Pat Morgan. 
Ginger's 'Screen Time': Approximately 35 Minutes and 57 Seconds (54.5% of the film).
GingerTunes: None
Gingery Goodness Factor (GGF) - (1-10): 7.0 - Although heaps of 'face time' for Ginger, the role just doesn't lend itself to a lot of 'sassy' input, save for a few nice spots here and there...Ginger's character is pretty 'straightforward', and is ultimately 'corralled' by the leading man, in pretty nondescript fashion - I mean, he doesn't actually even REALLY save her from the endgame peril.
Film Quality (1-10): 6.5 - That may be generous for the copy I have...there are multiple 'editions' of this one out there, but not sure if they are all from the same 'source film'... but there are a few scenes cut short (where you hear dialogue but the screen is black) - not enough to really affect anything, but...it DOES earn negative points for the overall film condition. The 'caps' I made did end up pretty fair, but those were in-betwixt a lot of dust-spots-fuzz on certain frames. Also, the sound is not the best...dialogue is OK, but in 'lull' areas, there is a constant 'crinkling' sound, like it's raining...the first scene you think, 'well, maybe it's supposed to be raining, as it is at night and you really can't tell... but the next scene in the penthouse clarifies, as typically rain does not occur within a penthouse (unless the fire sprinklers go off...which they most likely did not even have back then...) 
Available From: Various DVDs available..
Huey's Review for GINGEROLOGY:   Ginger's fifth film of 1933 finds her back in the 'murder/mystery/suspense' genre, this time as an undercover newspaper reporter (...actually, in 1933, I believe that's the only type of reporter there was...but I digress...) by the name of Patricia Morgan. She has been 'planted' as the secretary of a financial big dawg that goes by the name of Mr. Harker... who is on screen about 3 seconds, in the form of a mannequin tossed down from his penthouse. In other words, whoever played Harker most likely didn't make union scale for his acting efforts.  
ANYWAY, Pat was investigating Harker's possible link with mob member Joe Martini (yes, there's at least one 'dry martini' joke during the proceedings...) She has gathered enough info to piece together possible reasoning behind Harker's demise, and calls it in to her paper...except the call is 'intercepted' by a rival reporter on the scene, Ted Rand (Lyle Talbot), who takes the info and runs with it...to HIS newspaper.
When Pat's editor discovers all the info about the case (which only she could have known by her 'inside' position) sprawled on the front page of the competitor, he promptly fires Pat.
Well, when Pat figures out Ted was the one who stole the info, she was JUST a bit miffed (not to the point of throwing things, however....) ...and confronts him on the matter. This is where we learn these two have a 'past', which eliminates the need for developing a relationship from scratch on the screen (this one clocks in at just over an hour, y'all...). Well, Ted does pretty fair damage control, and soon the relatively happy couple, along with Inspector Russell (Purnell Pratt) are in concert regarding the investigation. Along the way, a few more folks get snuffed out, one of which was a 'prime suspect' (ain't that ALWAYS the case?). Pat does a bit of 'snooping' in Martini's apartment, with no tangible results. Before long, however, Pat receives a letter with a card enclosed...reading 'You Will Hear It', with a coiled snake on it...a la 'Don't Tread On Me'... this was found on each of the previous victims, which, of course, labels Pat as a future victim!  Well, that's about all I'll go over here, in order to let you discover the end of this 'whodunnit'... but it's not that big a mystery that Pat and Ted have a happy ever after, y'all.  
Ginger and Talbot have a better overall chemistry in this one than in Thirteenth Guest, which is a natural progression upon subsequent 'pairings' with each other.
Some folks have suggested that this very movie was the 'inspiration' for 'The Thin Man' series...not sure about THAT, but there are some similarities in the interactions between the couples... but the plot, while a murder mystery, isn't nearly as 'complex' as any of the Thin Man films. 
Favorite Ginger Moments: Ginger is pretty much 'straight role' in this one, so her 'trademark' moves are all in this one...it's fun to pick up on all the different ones developing, such as the eyebrow raise, becoming close to perfected in this one... among others, as shown in the many caps to follow...

 ...First look at Pat, just after the nose dive by Harker...BTW, how cool is that lamp? I would LUV to have that one as a 'Gingerbilia' item...

...With Inspector Russell, who has a fairly dry sense of humor...

"...Hello, Mother?..."

"...yes...it's a murder/mystery film...you know, kinda like that one I did a few months ago over at Monogram..."

"...Well, no, there's no singing or dancing in it...it's a DRAMA, Ma..."

"...why aren't you over at RKO, dear? I've heard they have a few nice musicals coming up..."

"MAAA, listen! I'll do enough musicals down the road! For now, I'm trying to add some diversification to my resume!"

"...Hopefully I can get thru to QVC and tell them to take back this weird 'cat-vs.-boy' statuette thingie that Lelee ordered..."

 ...OK, back to the actual 'plot'... well, this is just the scene where Pat figures out Ted has used her info for his story...but DANG...newspapers used to be pretty honkin' back then..I mean you could float a Mini Cooper on that thing if it were folded completely out...

...OK, personal Huey injection...Ginger is just cute as ALL-get-out in this picture...I mean, that's just PAINFULLY cute...

...somewhat somber here, but still awesome...

...she is conversing with the inspector in this scene, basically sweet-talking her way out of a potential 'withholding information' rap with little or no trouble...

...and then it's on to the...well, morgue, to check out the dude who they thought was the killer, but is now the 'killee'...this is rare, to see Ginger in the back seat alone...well, that doesn't sound proper...the intent is that it's rare to see Ginger alone ANYWHERE...

...this is an interesting little sequence, as the inspector gives Pat the slip by jumping out, then back in the car...what's interesting is that Ginger was purt near (there's that phrase again, y'all...) tossed head over heels when the car came to a screeching halt... Ralph Nader would have had a field day back then, y'all...

 ...I think these two make a pretty fair 'on-screen' couple...would have been interesting to see them in a 'big-budget' together...

 ...and she's alone again...and seems a bit peeved...

 ...ah, that's better...

"...I can't believe this bill for that cat-dog-boy-child statue thing...grrrr..."

"...Look, I'm not even sure we ORDERED that... I'm thinking now that it was some type of prank...yes, a PRANK..."

"...and you just tell Ms. Hepburn that in the future, we will purchase our OWN gauche figurines! Good DAY!"

"...uh-oh...I just remembered that Lelee DID buy that statue...it shows up on her American Express Gold Card Statement here... she's been a member since 1897..."

 "...so, you see, Kate, it was all a big misunderstanding...we'll have a good laugh about this somewhere down the road... probably in a knitting circle or something... and thanks for returning it in one piece - Lelee would NEVER forgive me if something were to happen to it..."

 ...pow...right in the kisser...

"...that's funny...I don't remember THAT part of the script..."

 "...show me in this script where you are supposed to smooch me at the door..."

 "...listen, you can't just come in here and 'ad lib' stuff like that...I've got to get over to Universal by 4...or is it Paramount? I'll have to call mother again..."

 "...but overall, you're doing fine, kid...stick em' up!"

 ...so when's lunch?...

 "...so was it Paramount?"

 "...nope...Universal...they are teaming me up with some gooberhead I'm sure I'll end up falling for..."

...the 'warning' of impending doom for Pat...which gets me to thinking....if you DID want to 'snuff' someone out, WHY would you send them a 'warning'? Especially thru the U.S. Postal Service? Wouldn't that take, like, a week? And yes, that is a cigarette in Ginger's cute little fingers... I am not a fan of smoking, and Ginger quit it in the late 30's... I TRULY hope y'all don't smoke, or can quit... OK rant over.

"...we may could sell that thing on my etsy site..."

"...HEYYYY...wait a minute...this is the part when the dude shows up and hauls me off!"

" And there he is...wouldn't you know it...still 15 minutes before lunch...this scene is gonna take at LEAST an hour to run-thru..."

"...so I just head-butted that dude a few times, and he collapsed like the S&P 500..."

"...oh, I'm fine, Ma...just glad this little story is over with...yes, I'll get rolling on a musical somewhere soon..."

"...now, who in the WORLD would want to be in a musical with women hoofing on the wings of planes, Ma?"

Other Reviews:  
"Chief among the attractions of this diversion is the Rogers-Talbot characterizations of newspaper persons. They come very close to being life-like, and that is pretty miraculous for Hollywood...All in all, considering the title, an agreeable surprise." - New York Times
"It holds you all the way. Cast is far above average." -Hollywood Filmograph
"Ginger Rogers is exceptionally well-cast as the girl reporter." - Hollywood Screen World  
From GINGER: My Story: This is the only film I am aware of that Ginger does not mention in her bio...probably because of the impending collaboration with gooberhead Lew that is soon to follow, as she has a LOT to write about that timeframe... 
Miscellaneous Stuff:  
--- Although the production was from Allied Studios, the movie was actually shot on the RKO lot (well, ONE source notes this, so don't quote me on it...).
--- The black maid, portrayed by Louise Beavers, was erroneously noted in the opening credits as 'Louise Beaver".
--- Ginger's second teaming with Lyle Talbot, the first being The Thirteenth Guest, another 'low-budget' murder mystery. 
--- Ginger's character in both this one and The Thirteenth Guest are named 'Morgan'.
--- And, a pretty COOL feature from IMDb... the entire movie free for download! Check it out at this link:
A Shriek in the Night video feed

GingerFilm Ranking: #09 of 17...At the end, this one is just a bit better than 'The Thirteenth Guest', in terms of sheer Ginger 'face time', so it's just over that one in the rankings... her role is solid, but...'pedestrian' (i.e., minimal Sassyness). 
After Fourteen Reviews: 
#01 - Professional Sweetheart 
#02 - 42nd Street
#03 - The Tenderfoot
#04 - The Tip-Off
#05 - Queen High
#06 - Young Man of Manhattan
#07 - You Said A Mouthful
#08 - Carnival Boat
#09 - A Shriek in the Night
#10 - The Thirteenth Guest
#11 - Broadway Bad
#12 - Gold Diggers of 1933 
#13 - The Sap From Syracuse
#14 - Suicide Fleet
#15 - Follow The Leader
#16 - Honor Among Lovers
#17 - Hat Check Girl***
*** - Not viewed due to unavailability.

Up Next: Don't Bet on Love..Ginger stars with future gooberhead hubby Lew Ayres in a 'basic' rom-com about a dude who can't stop gambling...while trying to hang onto Ginger. Of course, this one is of interest to G-ologists, if only to observe how these two hit it off...

Until then, as always...

KIG, Y'all!!!